In fact, far from being calm, Ken Jackson, 77, was in a state of near panic. He bought the ticket for a foreign commercial syndicate and was unsure how to get the money overseas without anyone noticing.
Posted 2 years ago by Jeff Lyons You get the phone call and it goes something like this: Hey, are you sitting down? Smile in his voice.
I have a producer who wants to option your script! How much for the option? This is how it almost always goes. The question then quickly becomes: If you consider yourself a professional and you believe your skill and talent to be valuable, why would you agree to something as amateurish as a dollar option?
Try asking your doctor to take a dollar for an expensive procedure, while you wait for the test results.
Try asking your mechanic to fix your car for a buck, until you drive it around for a while to see if it breaks again. Try getting your plumber to work for a dollar, while you try to raise the rest of his fees from your neighbors. Other professionals will laugh in your face if you ask them to take a dollar against the future outcome of some risky venture.
Dollar Option Red Flags: Also, consider the red flags that a dollar option likely indicate about the producer, the project and the state of the production: This is a business driven on passion and belief. As I said, there are always those friends, or even strangers, who mean well and who have every intention of doing the right thing—eventually, but, this is your business.
This is your professionalism and this is your blood, sweat and tears. In a business that devalues people as a matter of course, holding onto your power and your self-esteem is critical for building a real career.
There are only two valid situations where a writer might take a chance on a dollar option: An indie producer who you respect, but who has no real track record and no money, stumbles into a group of enthusiastic investors who on paper appear to have funding, and say they can get to it quickly.
An indie producer has a track record, established industry credibility and tons of experience wants your script. Major indie producers will not even consider a script unless the writer agrees to a three-year option and will do it for free, or a buck.
When you have the opportunity to work with a pro, it is a good idea to just go with the flow. I recently did this and do not regret it at all.
Working with indie filmmakers always involves a series of compromises and tradeoffs.The Association of Secondary Ticket Agents, or ASTA UK, is the self-appointed Regulatory Body of the Secondary Ticket Industry in the United Kingdom.
The Association was established in October , and represents some companies engaged in the selling of tickets to entertainment and sporting events. caninariojana.com is the leading directory of popular Screenplay Agents, Electronic, Sell Screenplay, & Handyman USA sites.
this is a tight and focused document. No cruft, no useless bureaucratic nonsense. Except for the six pages about lottery winners and Screenwriter. Screenwriting Goldmine – WE WANT MORE UK SCREENWRITERS TO GET. He is a regular presenter at leading writing and entertainment industry trade conferences, as well as a contributor and advisor to leading entertainment industry screenwriting and producing fellowship programs, such as the Producers Guild of American's "Power of Diversity Producing Workshop," and the Film Independent Screenwriting Lab.
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• screenwriting for film or television • lifestyle or general arts magazines literary agents, literature development organisations, or any other related people or organisations, Arts Council National Lottery Project Grants is a programme designed to provide.
We’re a charity and we have some Royal Charter commitments. We look after the National Film and Television Archive.
Our broad remit is to promote the art of film, television and the moving image. About six years ago, the BFI took on the lottery distribution role from the UK Film Council, so we’re also now the lottery distributor for film.